The term tabletop puppetry is fairly recent, used to
describe puppets worked in ways other than previous methods of being puppeted
from above (marionettes, etc) or below (hand puppets). Tabletop puppetry is
generally considered to have evolved from the discovery and adaptation of the
Japanese Bunraku in Europe and America and so they share several traits- e.g.
the closeness and visibility of the puppeteers and methods of manoeuvring the
puppets.
Contemporary European/Western tabletop puppets are generally
quite small in size, although this can vary. Controls of these puppets are
usually rods, one to control the head and then others to control the moveable
limbs, which in more complex puppets can be jointed to make the puppet more
articulated. The head rod can also have mechanisms inside that allow the face
to move, usually and most simply opening the mouth. Other methods can be used,
either simply direct handling of the puppet or more complex constructions based
around the rods idea.
The set pieces and performance are often done on a raised
surface, due to the size and mechanics of the puppets, hence the name tabletop
puppetry.
Video example: Red Herring puppets- Aesops Fables:
Bethan Pope- Sunflower
Isobel Shuttlewood- Owl
Miao Jiaqi, Annie - Queen
Emily Buchan
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